My convent memoir completed, I sent out numerous query letters, synopses, and proposals hoping an agent would snap me up. After all, who doesn’t want the inside scoop on those saints or wretches (depending on your experience) called nuns? When the response was silence, I realized I needed help. I signed up for the annual Willamette Writers Conference and an editing session with Molly Best Tinsley.
First item of my day was to Google Molly. She is a writer of short stories, spy novels, and a memoir. In addition she is a teacher, and is professor emerita at the United States Naval Academy. She has received two fellowships from the National Endowment for the Arts, as well as the Sandstone Prize and the Oregon Book Award. Critics write of her complex characters and intelligent, clear style.
Impressed with her qualifications, I sent in my twenty-five pages and received not only an astute critique but a request to read the next twenty-five. When she asked to read the entire manuscript and showed an interest in possible publication, I knew she believed in the book.
Belief in a book. Belief in the writing. The words take me back to my two years at the Northwest Writing Institute where gifted professors Kim Stafford, Joanne Mulcahy, and Jim Heynen encouraged me to examine with kindness my writing and the writing of colleagues. Jim Heynen’s words stay with me: “When critiquing a work, believe in the possibilities.”
To believe in the possibilities requires not only focus, but also reverence for a work. Molly Best Tinsley has been that kind of editor for me. In the words of my Facebook post, she has guided, questioned, and challenged me to write at the top of my game and beyond. What more could a writer ask?