The lovely entrance to the home of my niece Andrea Bigcraft is a metaphor for the welcome I have experienced during these weeks of promoting my memoir Far from Home. The doors of family and friends have opened wide in Oakland, California, Ashland and Portland, Oregon. It is the hospitality Judy Collins celebrates in “Song for Judith”: “Open the door and come on in.”
My love for doors did not just arrive because of a published book. Entrances are both works of art and a way to learn about treasures inside. Below are my door photos from travels to Denmark’s Kronberg Slot, better known as Hamlet’s Castle, and a building in Riga, Latvia.
Years ago, Sister Helena Brand, SNJM, literature scholar and extraordinary educator, introduced me to the theme of hospitality. We studied Greek myths, like The Odyssey and the story of Philemon and Baucis (so similar to the angel story in Genesis 19). A poor couple welcomes into their home Jupiter and Mercury, the gods disguised as weary travelers. Rembrandt, Rubens, and van Oost depicted the story in art, but this engraving caught my eye.
There is no beautiful door leading into the cottage, simply a wooden structure meant to keep out the cold, but open to pilgrims. “Come on in,” Baucis and Philemon say. “Share our fire, fruit, eggs, and wine.”
Nancy Haught’s wise and wonderful Sacred Strangers explores the same theme of open doors in Scripture. The universal lesson is this: welcome others into your home because you never know if and when you will be in the presence of the Divine. And the way in is through a door.
If I had my preference, entries would possess carvings, color, and beauty, but more importantly, there would be someone on the other side ready to turn the knob and share hospitality, like Andrea. Judy Collins’ song continues, “I’m so glad to see you, my friend.”
So here I come, full circle, to where I started with my Facebook post, outside the splendid woodwork of the Frick Museum doors, sure that welcome and beauty are right across the threshold.